4/28/2023 0 Comments Pidgin english ghana![]() The overall aim of this paper is to fill the research lacuna on hiplife music, as well as an attempt to demonstrate the utility of the glocalization concept. Specifically, I investigate two Ghanaian-based discourses (verbal indirection and naming practices) that artists combine with this global music phenomenon in creating a distinct local music genre. I utilize the glocalization concept to examine hiplife music, a Ghanaian re-appropriation of U.S. ![]() I deem the “glocalization” idea as such a corrective in that it allows for a holistic approach in investigating the nuanced juncture of contemporary global-local interactions. This plea resonates with the views of certain international communication scholars (Straubhaar, 1991 Harindranath, 2003), who, despite acknowledging the limitations in the media imperialism thesis to analyze contemporary complex global-local communication, argues for a modification of the thesis. This paper responds to Kraidy’s (1999) proposal to communication scholars, specifically international and intercultural communication researchers, to utilize the “glocalization” concept to investigate global-local communication. Could this development be the watershed for the redemption of the image of Pidgin English in Ghana? For the purpose of this paper, Christians who fellowship in Accra only were surveyed Accra serves as a haven for church activities due, perhaps, to its highly cosmopolitan background, and numerous churches are headquartered in this city. Unsurprisingly, the most popular pidgin songs in Ghanaian Christian communities, as reflected through responses to questionnaires administered, bear features of Nigerian Pidgin English some of the songs have obviously been imported from Nigeria. ![]() This has been possible partly through contacts within the West African sub-region. What this means is that the account in the literature that pidgin is absent in formal domains in Ghana can no longer be held to be accurate, for pidgin has now entered Christian religious worship. It advances the claim that pidgin is currently undergoing a process of expanding its domain of use into some respected formal spaces (such as the church) in Ghana, particularly through gospel music. This paper revisits the sociolinguistic discussions on the domain of use of Pidgin English in Ghana (cf.
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